| Name |
Picture
|
Description
|
ACL
AKA -
Those lamps that look like little par cans with a funny yellow
Cee-Form on them. |
[No
Picture]
|
Those lamps that
look like little par cans with a funny yellow Cee-Form on
them. |
Amplifier
AKA -
Amp
|
|
Makes things go
'Wub' |
| Arcline |
[No
Picture]
|
A strobe on a
stick! Well, in a stick, at least. |
| Azure |
|
The latest acquisition
in the Crew Lighting desk department. No one knows how to
use, program or get the most out of it but it cost a shedload
of money so it must be great! |
Bar of 6
AKA -
Bar'o'Rays |
|
6 par cans on
a bar - hence the name. |
| Barn Door |
|
Prevents excessive
light spill by stopping the light molecules wandering off
and doing thier own thing. |
| Breaker |
|
When someone trys
to do an impression of a lighning rod, by proving mains electricity
with a quicker route to earth, this is supposed to cut the
power. |
| Break In |
|
Many to multicore |
| Break Out |
|
Multicore to many |
Bubble
AKA - Lamp, Bulb |
|
Make light by
passing a hell of a lot of electricity through a tiny wire
and making it really hot |
| C hanger |
|
Holds bars of
6 in the roof (as well as being useful as spanners for socapex) |
| Cam locks |
|
Those things that
carry 3 phase and a child can get their fingers into. Three
phase connectors used by the Avolites Dimmer. They are attached
to the dimmer and then turned to lock into place. If you plug
the cable into the mains but not the dimmer electrocution
can be easily acquired. |
| Centerpiece |
|
Hung over the
dance floor as part of the installation light rig. Would look
better if mounted higher up, i.e. not in the Union! |
| Chain Hoist
|
|
Makes lifting
heavy things easier - apparently |
| Compressor
|
|
Piece of Soundy
Equipment often used to inflate space hoppers |
| Crossover |
|
Splits the sound
signal into groups (Based on frequency) ready to be pumped
through an amp and into the right kind of speaker |
| Dimmer |
|
Oddly it makes
lights brighter |
| DMX |
|
Digital MultipleX.
A digital lighting control protocol which is now the industry
standard for most control situations. In particular many intelligent
lights now offer only DMX as a control input. |
| DMX Cable |
[No
Picture]
|
The orange cables
that look like 5 pin XLRs (to soundys) Used to send control
signals to the allegedly 'Intelligent' lighting and dimmers.
If these things are so clever why do they need us to control
them? |
| Driver |
[No
Picture]
|
A speaker, often
cone shaped (like a big ice cream) Formerly used to describe
the crew member sitting behind the steering wheel of the van/truck,
but that has since been replaced with "White Van Man". |
| Drive Rack
|
|
Soundy Big box
'o' toys #1
Contains Graphics, crossovers and other soundy malarky |
Effects Rack
AKA FX
Rack |
|
Soundy Big box
'o' toys #2
Contains all those expensive little units that make people
sound squeeky, in a barrel, swimming in lava or whatever (as
well as other things like gates and compressors) |
| Effects Unit
|
|
See Effects Rack |
| Fader |
|
Push up for more
of whatever it is
Pull back for less of it |
| Flightcase
|
|
Put stuff in these
to help them survive us longer |
| Floor Can |
|
Upside down Par-Can |
FNO
AKA Friday
Night Out |
|
The Friday gig
in the main union, always packed - Hide Backstage! |
| FOH |
[No
Picture]
|
The place where
the Soundy and Lampy can see and mix the act from, as well
as play with a lot of faders |
| Followspot
|
|
A powerful spotlight
that you pont at the act and follow them with when they move.
If you get a chance to do FS - do the joke (you know the one).
ALL acts love it! |
Fresnel
AKA Frezzie |
|
A light mainly
used for stage (theatrical) lighting. Crew are usually too
Rock & Roll to use them. |
| Fuzzlight |
|
Spinny lights
- like police car lights - hence the name |
| G hanger |
|
Hold lights (amongst
other things) in the roof - unless you forget to do it up
(See safety chain) |
| Gaffa Tape
|
|
It has a light
side and a dark side and it holds the universe together. The
single most useful thing at any gig! |
| Gate |
|
Lives in the FX
rack and mucks about with sound.
Often used by Farmers to keep the sound sheep from getting
onto the dancefloor |
| Gel |
|
Coloured plastic
film that goes into Gel Frames. All gels are numbered to signify
which colour they are. Good light rigs contain a lot of 181. |
| Gel Frame |
|
The bent things
that don't fit on the front of the cans. Metal frames (either
octagonal or square) which are clipped to the front of lights
(Usually Par Cans) and hold gel to change the colour of the
light. Most gel frames are so dented or deformed fitting them
to the light is often a superhuman feat. |
| Gig |
[No
Picture]
|
An event - any
event that we are involved it. |
| Gig Foot |
[No
Picture]
|
Gaffa tape, sparky
tape and other sticky substances attached to one's shoes whilst
doing a gig is refered to using this term |
| Gobo |
|
Those little metal
things with the pretty pictures. "Gobos are thin masks
that are placed in the gate of a profile spot in order to
shape the light beam, creating an endless variety of patterns."
(According to Martin). To the rest of us they are the things
in scans (or solars) that produce the nice patterns. |
| Gobo Rotator |
|
Guess What! It
rotates Gobos! |
Graphic
AKA Graphic
Equalizer |
|
Graphics are used
to make the noise being produced sound better. Setting a good
graphic is half knowing what you're doing and half bluff (e.g.
"Yes, Yes - That's taken some of the hiss out of the
mid range") |
| Graphics Tablet
|
|
Plugs in to the
Azure or Pearl and is an aid to programming the desk. Sort
of like how a hammer helps computer programming |
| Griven |
|
Dobby lighting
effect - the only difference between this and any other dobby
effect is that this weighs the same as a small Bison |
| Harting |
|
Soundy multicore
attachment
Popularised in the hit song- "What became of the broken
harting?" |
"Heads"
AKA
"Bugger", "Whoops" or any number of curses |
[No
Picture]
|
A shout given
by people working at height (either in the roof or on a ladder)
to express the fact they just dropped something. The shout
has to be short because the item would have already hit the
person/ground by the time you have said "I appear to
have dropped my shifter, I would suggest you move out of the
way". |
Heli
AKA Helicopter
|
[No
Picture]
|
4 pinspots on
a motor |
IEC
AKA Kettle
Lead |
|
An electrical
connector which is more or less the same as the connector
you put in your kettle. |
| Intelligent
Lights |
[No
Picture]
|
Like Dumb Lights
but more expensive |
Leatherman
|
|
A 'Swiss Army
Knife' on drugs! Stupidly expensive and generally just a status
symbol. |
| Limiter |
[No
Picture]
|
A sort of electronic
parent, in a "Turn that racket down!!!" type of
way. |
| Line Check
|
[No
Picture]
|
When the sound
rig is first powered up each of the drivers are tested (starting
at the top) to ensure that they are plugged in correctly and
none of them have blown up. Should also be done at the end
of the gig - If you can be bothered. |
| Load In |
|
Moving stuff from
van (or whatever) into venue |
| Load Out |
|
Moving stuff
from venue back onto van (or whatever), normally following
a packdown
Both Load in
and Load out assume you can find people to do them
|
Magic Moon
|
|
See 'Rainbow' |
| Maglite |
|
A Small torch
- If you don't know what a torch is, you're an idiot! |
Manfrotto
AKA Wind
Up |
|
A 3 legged stand
used to hold lights up. Has a winding handle to lift whatever
you put on it. The handles have been known to remove fingers. |
Martin Adventurer
|
|
Dobby
disco lights They may all have different names but they are
effectively the same effect. Puts colour on dance floor -
Part of the installation rig. Sound reactive. |
| Martin Discovery
|
| Martin Voyager
|
Masterpiece
AKA The
Dobby Disco Desk
|
|
Desk Bought shortly
after the Union's last redesign it is meant to be used for
the installation light rig.No one knows how to use, program
or get the most out of it but it is installed in the lampy
booth.Most people ignore it and use a different desk. |
Meat Rack
|
[No
Picture]
|
The big thing
that is covered in trilite and is always in the way. Its real
function is supposed to be storage of lights (Especcially
bars of 6) but it is unnecesary now because all lights are
now stored in the roof due to the lack of packdown. |
| Microphone
|
|
Turns noise into
electrical signals. There are lots of differnt types for different
tasks, but are unlikely to make a bad act sound any better
(Unless the Mic is muted) |
| Mini Star |
|
See any other
dobby lighting effect - they are all the same |
Molfay
AKA Blinder,
Act Cooker |
|
Must only be used
during 'Walking on Sunshine' by 'Katrina and the Waves' |
Mons
(Doing
Mons) |
[No
Picture]
|
The act of producing
sound for the performers to listen to. It doesn't have to
sound good it just has to not feed back, and so must be much
easier the FOH mixing |
| Mons Desk |
|
The desk that
controls the mons |
| Multicore |
|
Literally it is
a cable with multiple cores, sometimes you have to add a break
out/in to each end to make it useful |
| Notepad |
|
A VERY iccle mixer. |
| Packdown |
[No
Picture]
|
The but at the
end of the gig when all the stuff used for the gig is Supposed
to be put away neatly and tidily. More usually it is decided
that why bother putting things away when they will just be
used tommorrow, and given up halfway through as a bad idea. |
| Par Can |
|
A light - often,
but not exclusively, found on a bar of 6 |
Patch
|
[No
Picture]
|
The act of connecting
the lighting controls to the lights (Via the dimmers). Most
people start with some sort of 'Patch Plan' but invariably
this will be given up as a bad plan. The lights could turn
up on ANY desk chanel. |
| Pearl |
|
The desk formerly
known as the broken one. A complex DMX desk which, like the
Azure, no one really knows how to use |
|
Pinspot
AKA Pinshpot
|
|
A small light
for lighting small things. Spare parts available from most
nightclubs in town |
| Rac Pac |
|
Small sound desk,
used for small events, with small acts and small budgets. |
| Rainbow |
|
Dobby disco lighting
effect. Sound reactive, so turn it on and leave it to do its
thing |
| RCF |
|
A full range speaker,
mainly used for Student Councils and the like because we can't
be bothered to get amps AND speakers out. |
| Riser |
|
Used to make short
acts look taller |
| Robozap |
|
A lighting effect
- that doesn't work |
| Rolercue |
|
An analogue lighting
desk. It is the biggest and heaviest of our lighting desks
but it still a lot less than the soundies desk. |
| Safety Chain |
[No
Picture]
|
Usually draped
near a peice of equipment in the roof to give the illusion
of a separate, redundant, securing mechanism |
Scaff
AKA Aliscaff
|
[No
Picture]
|
Tubes of metal
used to hang lights off or hit people with if they are not
co-operative with your requests |
| Scaff Tower |
|
A tower of scaff,
with two you can have interesting races across the hall |
Scan
AKA
Scanner, MiniScan |
|
A light with a
moving mirror to throw the light on any part of the room.
DMX controlled so to use it you have to first work out how
to program one of the DMX desks. |
| Shackle |
|
Rigging gear used
to throw at crew to move them away from the impending falling
of the rig. |
| Shifter |
|
An adjustable
spanner. Handy in place of a hammer for bashing things |
| Signwriter
|
[No
Picture]
|
A LED array used
for displaying messages. Mainly used to insult members of
crew to the mass populus. Only 2 people know how to program
them - and they have left. |
| Single Phase |
|
Soundies main
source of power. All sound equipment has to be on the same
phase as it tends to explode when it isn't. |
Smoke Machine
AKA
Scary Smoke, Baby Smoke |
|
A machine which
creates smoke. Lampys will often use a lot of smoke to make
their lights have a greater effect. Often to the extent that
you cannot see the act |
SNAP
AKA Say
No And Phone |
|
A gig we (sometimes)
do for Surrey Police. They are trying to get people to rat
on drug dealers rather than buying off them |
| Snapper |
[No
Picture]
|
Turns one TRS
socket into two. Twelve turn one TRS socket into thirteen. |
| Socapex |
|
The head is about
the size of a digestive biscuit and contains lots of pins
(or holes). Primarily used to carry power from the dimmers
to the lights but can also be used to hit useless members
of crew with. |
| Solar |
|
A lighting effect
which projects, colours and shapes onto things. It can only
do one at a time so is fairly pointless. |
| Soundcheck |
[No
Picture]
|
The time post
5 pm (when we are allowed to make noise) where the sound rig
is tested to see if it blows up. Assuming it does not music
is played to and graphics are set to make it sound good. Unfortunately
most sound checks are conducted with the opposite type of
music to the one planed for the gig itself |
| Spanset |
|
Rigging equipment.
Used to hold any piece of rig in the roof. 4 of them can hold
up a tank (as demonstrated by the picture). |
| Sparky Tape
AKA PVC
Tape, Electrical tape |
|
The prime culprit
for Gig foot. This tape has little sticking power unless applied
to the bottom of a shoe. Also used in excessive quantities
to hold coiled cables together |
| Speakon |
|
A Soundie connector.
Difficult to remove from equipment as the catches tend to
get stuck due to excessive beer spillage |
| Spider |
|
1 Fat cable to
lots of smaller ones, the same as a break-out except for the
spelling |
| Spiggot |
[No
Picture]
|
Goes into the
top of a manfruitee (or similar) to allow things to be mounted
on it. |
| Spirit |
|
A medium sized
sound desk. Can be used for most crew gigs but people still
prefer to get the Yamaha out because it looks more impressive |
| Stage Box |
[No
Picture]
|
Where the cables
from the act's equipment and mics are plugged into. The mons
engineer also sends this stuff to the FOH position but invariably
lies about where things are patched to - for a laugh. |
| Strobe |
|
A fast flashing
light mainly used to induce epileptic fits. |
| Sub |
[No
Picture]
|
A speaker for
playing the very deep frequecies. If used with sufficient
power it can alter the bio-rythmns of certain carbon-based
life forms |
| Swop Rack |
[No
Picture]
|
Like a dimmer-rack
(as in it is big, heavy and on wheels) but it doesn't dim,
things are either off or exploding |
| Talkback |
[No
Picture]
|
A system which
allows people backstage to blame the FOH people for foul ups,
and vice-versa |
| Tank Trap |
[No
Picture]
|
Holds a scaff
bar upright. Perfect for pole-dancing poles |
| Terminator |
|
Goes at the end
of a DMX run to fool the electrons into thinking it is a cable
of infinite length. Quite why they are neccecary, we don't
know, as there is practically an infinite amount already in
the roof |
Trilite
AKA Slick,
astralite |
|
Holds lights,
drapes and other misc gig stuff off the floor, Connected together
using items called Pins and Eggs, Which are
invariably put in the wrong way round and make the pieces
impossible to get apart again |
| Truss |
|
Slightly more
substantial then Trilite (as it has an extra cord). It is
used to keep the bars of 6 off the meatrack and out of the
way (Oh - and for gigs) |
| Truss Monkey |
|
Someone who monkeys
about in/on (roof) trusses. Truss monkeys are usually the
more slender members of crew as the wider ones tend to get
stuck and never venture into the roof again (once they have
been cut free) |
| TRS |
[No
Picture]
|
15A power cables.
Only used when we have run out of Cee-Form (with suitable
adaptors on each end) |
| UV |
|
Emits ultra Violet
light - very good for seeing underwear though light coloured
clothing. Also good for showing up teeth and dandruff |
| Video Mixer |
|
Mixes Video signals.
Has many different transition effects but NO star-wipe! |
| Video Projector
|
|
Projects images
onto things. Especially good when used to back project onto
a sheet/white gauze - perfect for shadow Puppetry |
| Wedge |
|
Makes noise on
stage. EQ'd to the strains of 'Wuh Wuh Whu Wone T T T T Two
Wun Two ooooooooo" |
| Wild Blaze |
|
Dobby lighting
effect, Mainly used on SNAP gigs |
| Whiling Blades
of Death |
[No
Picture]
|
A Fan with a blatant
disregard for safety |
| XLR |
|
The ones that
look like 3 pin DMX connectors (to lampys) Connectors that
are mainly used to carry audio signals from place to place.
Also, the male end, makes a very small pastry cutter. |
| Yamaha PM3500 |
|
The big, blooming
heavy, FOH sound desk. I have never seen more than half the
channels used. I suspect someone is compensating for something |
| Zargees |
|
A tall, extending,
ladder. Unfortunately it is impossible to get all 4 feet on
the floor at the same time due to the uneven nature of the
union flooring. Owning more than one allows various access
constructions to be created by joining them together using
load straps |